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Etemad Gallery Dec 2015 Sepideh Nourmohammad Manesh Hand Writing Write Handing 01

دست-خط/ خط-دست

دست به یادگار می ماند از خلال زمان. همچون که رد آن درعمق غارها. محکوم بـه حـفـره هـایی تـاریـک و نا مـسـکـون. دیـوارهـایی منــقــوش شــده به دســت هـای بی تن. 

دست -ابزار، دست-کلمه.

دستی که میکِشد، دستی که میکُشد.

دست صورت است. دست به مثابه تن. تن بی چهره، دست بی تن.

دست هایی لولیده درهم. انبوهیِ پاره-دست ها.  فقد حضورند، و حضور فقدند.

 دست مایه این کثرت. مرگ از سر گذرانده اند، و مانده اند. بقایای تجربه ی دهشت. حاصل تلاشیِ تن ها. دست بی تن. تن بی عضو. دست هایی که مخاطب را به بیرون ازمتن سوق می دهند، در فقد تن، به خالیِ کنار قاب.

دست ها یی جمع آمده، در عین تفرد. حامل زمانند و نشان از مکان دارند. داغدار زمان و مکان. دست-کلمه هایی فشرده شده. بی آغاز و بی پایان. تکه هایی که به وحدت نمی رسند. بی مرکزند. نیستند، می شوند.

دست های متکثر. بی فضایی سپید برای خواندنشان. دست هایی تنیده در هم که مجال دیدن را تنگ می کنند، و خواندن را. رازی سر به مُهر. حفره ای تاریک انگار. توامان مستورند و عیان.

سپیده نورمحمدمنش

تحصيلات:

کارشناسی ارشد پژوهش هنر، دانشگاه هنر، تهران، ایران

کارشناسی مهندسی کامپیوتر(نرم افزار)، دانشگاه آزاد، تهران، ایران

نمایشگاه  انفرادی:

1392  گالری گلستان، تهران، ایران

نمایشگاه های گروهی:

1394  گالری اعتماد، تهران، ایران

1392  گالری آرت سنتر، تهران، ایران

1392   "نمایش داده نشده"، گالری الهه، تهران، ایران

1392   "نمایش داده نشده"، آتن، ورشو، بروکسل 

Hand-Writing / Write-Handing

Hands remain like a relic through time, like their trace in the deep end of caves. Deemed to the darkness of abysses. Walls engraved with hands, bodiless hands, dismembered hands.

Hand- Tool, Hand-Word.

The hand that draws, the hand that kills.

Each hand is a face. Each hand resembles a body. A faceless body, a bodiless hand.

Twisted hands, handicapped hands, piled up on each other. They lack presence, the presence of absence.

 The matter of such multiplicity, the remnants of a traumatic experience. They have survived death and resisted demise. The outcome of the deterioration of bodies, hands without bodies, bodies without organs. Hands that repel the audience outside the text, to where there is no body, to the void outside the frame.

Masses of hands, while singled out, they imply time and signify place. Mournful to time and to space, the hand-words are intensified, eternal and perpetual. Pieces with no unity, pieces with no center. They do not exist, but they will.

Multiple hands, without a blank spot to read. Hands woven into each other, blurring the vision, making it hard to see. An unveiled secret, a dark hole, simultaneously revealed and concealed.

Sepideh Nourmohammad Manesh

Education:

M.A. in Art Research, Art University, Tehran, Iran

B.A. in Computer Engineering (Software), Azad University, Tehran, Iran

Solo Exhibition:

2013  Golestan Galley, Tehran, Iran

Group Exhibitions:

2015  Etemad Gallery, Tehran, Iran

2014  Art Center Gallery, Tehran, Iran

2013  “Unexposed”, Elaheh Gallery

2013  “Unexposed”, Brussels, Athens, Warsaw

نمایشگاه آثار " سپیده نور محمد منش " با عنوان " دست - خط / خط - دست " آذر 1394 گالری اعتماد

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More About Tehran

Overview and HistoryTehran is the capital of Iran and the largest city in the Middle East, with a population of fifteen million people living under the peaks of the Alborz mountain range.Although archaeological evidence places human activity around Tehran back into the years 6000BC, the city was not mentioned in any writings until much later, in the thirteenth century. It's a relatively new city by Iranian standards.But Tehran was a well-known village in the ninth century. It grew rapidly when its neighboring city, Rhages, was destroyed by Mongolian raiders. Many people fled to Tehran.In the seventeenth century Tehran became home to the rulers of the Safavid Dynasty. This is the period when the wall around the city was first constructed. Tehran became the capital of Iran in 1795 and amazingly fast growth followed over the next two hundred years.The recent history of Tehran saw construction of apartment complexes and wide avenues in place of the old Persian gardens, to the detriment of the city's cultural history.The city at present is laid out in two general parts. Northern Tehran is more cosmopolitan and expensive, southern Tehran is cheaper and gets the name "downtown."Getting ThereMehrabad airport is the original one which is currently in the process of being replaced by Imam Khomeini International Airport. The new one is farther away from the city but it now receives all the international traffic, so allow an extra hour to get there or back.TransportationTehran driving can be a wild free-for-all like some South American cities, so get ready for shared taxis, confusing bus routes and a brand new shiny metro system to make it all better. To be fair, there is a great highway system here.The metro has four lines, tickets cost 2000IR, and they have segregated cars. The women-only carriages are the last two at the end, FYI.Taxis come in two flavors, shared and private. Private taxis are more expensive but easier to manage for the visiting traveler. Tehran has a mean rush hour starting at seven AM and lasting until 8PM in its evening version. Solution? Motorcycle taxis! They cut through the traffic and any spare nerves you might have left.People and CultureMore than sixty percent of Tehranis were born outside of the city, making it as ethnically and linguistically diverse as the country itself. Tehran is the most secular and liberal city in Iran and as such it attracts students from all over the country.Things to do, RecommendationsTake the metro to the Tehran Bazaar at the stop "Panzda Gordad". There you can find anything and everything -- shoes, clothes, food, gold, machines and more. Just for the sight of it alone you should take a trip there.If you like being outside, go to Darband and drink tea in a traditional setting. Tehranis love a good picnic and there are plenty of parks to enjoy. Try Mellat park on a friday (fridays are public holidays), or maybe Park Daneshjou, Saaii or Jamshidieh.Remember to go upstairs and have a look around, always always always! The Azadi Tower should fit the bill; it was constructed to commemorate the 2500th anniversary of the Persian Empire.Tehran is also full of museums such as:the Contemporary Art Museumthe Abghine Musuem (glass works)the 19th century Golestan Royal Palace museumthe museum of carpets (!!!)Reza Abbasi Museum of extraordinary miniaturesand most stunning of all,the Crown Jewels Museum which holds the largest pink diamond in the world and many other jaw-dropping jewels.Text by Steve Smith.


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