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Shirin Art Gallery Jan 2025 Esmaeil Davari Abyss 01
Tehran

نمایشگاه انفرادی نقاشی آثار "اسماعیل داوری" با عنوان "ورطه"  دی 1403 گالری شیرین

اسماعیل داوری متولد سال ۱۳۷۵ در شهر ساری، فارغ التحصیل مقطع لیانس رشته نقاشی از دانشگاه هنر اصفهان است.

اسماعیل پیش از این در چند نمایشگاه گروهی در تهران و اصفهان و یک نمایشگاه انفرادی در اصفهان شرکت کرده است و حاصل تجربه ی این نمایشگاه ها، مجموعه  "ورطه" است که دومین  نمایشگاه انفرادی او محسوب می شود. 

خالد اسماعیل وندی در باره این مجموعه اینگو ه می گوید:

یکی از مسائلی که همیشه با آینده و سرنوشت نوع انسان گره خورده، مسئله بقاء، ترس از نابودی و مسئله آخرالزمان است. آخرالزمانی که در هر دین و آیین و تفکری به آن به نحوی متفاوت نگریسته و پرداخته شده است. در بعضی موارد سرنوشتی حساب شده و در نهایت به خوشایند انسان موجود است و در بعضی دیگر پایانی هولناک و فجیع. در این مجموعه از آثار اسماعیل داوری شاهد وضعیتی آخرالزمانیه تیم که ظاهر از آن دسته هولناک است و در آن، انسان ها در دورنمایی وسیع از زندگی ای که انگاری به سختی گذرانده اند، به سمت سرنوشت محتوم خود پیش میروند. انسان هایی بی جنس و بی هویت که بیشتر شبیه به مانکن یا ربات هایی سرسپرده اند و بی اختیار خویش، به آن چه فرموده شده عمل می کنند.

اسماعیل با دستانی پرحوصله و ذهنی خلاق، با ارجاع به متونی که پیش از این دریافت کرده، دست به بداهه پردازیای میزند که با اشاره به جزئیات بسیار، روای روایت ها و داستان هایی از آن جهان آخرالزمانی می شود.

Esmaeil Davari, born in 1997 in Sari, holds a bachelor’s degree in painting from Isfahan University of Art. He has previously participated in several group exhibitions in Tehran and Isfahan, as well as a solo exhibition in Isfahan.

The result of these experiences is the collection ““Abyss,” which marks his second solo exhibition.

Khaled Esmaeilvandi also describes this collection as follows:

“One of the issues that has always been intertwined with the future and

destiny of humanity is the question of survival, the fear of annihilation, and the concept of the apocalypse. The apocalypse has been interpreted and explored

differently in every religion, tradition, and ideology. In some cases, it is seen as a calculated fate that ultimately benefits humanity, while in others, it is

portrayed as a terrifying and catastrophic end.

In this collection of works by Esmaeil Davari, we encounter an apocalyptic scenario that appears to belong to the horrifying category. In this world,

humans, depicted as devoid of gender and identity, seem more like mannequins or obedient robots, performing commands without their own will.

They move inexorably toward their inevitable destiny, set against a vast backdrop of a life they seem to have endured with great difficulty.

With patient hands and a creative mind, Esmaeil draws upon texts he has

absorbed previously, engaging in improvisation that, through meticulous

attention to detail, narrates stories and accounts from this apocalyptic world”

لینک وبسایت مجید پناهی جو#mce_temp_url#

Copyright: Majid Panahi Joo
Type: Spherical
Resolution: 12800x6400
Taken: 04/01/2025
Geüpload: 05/01/2025
Published: 05/01/2025
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Tags: esmaeil davari; abyss; shirin art gallery; shirin partovi; iranian professional photographer; industrial photography; architectural photographer; commercial photography; vr photography iran; 360 degree photography iran
More About Tehran

Overview and HistoryTehran is the capital of Iran and the largest city in the Middle East, with a population of fifteen million people living under the peaks of the Alborz mountain range.Although archaeological evidence places human activity around Tehran back into the years 6000BC, the city was not mentioned in any writings until much later, in the thirteenth century. It's a relatively new city by Iranian standards.But Tehran was a well-known village in the ninth century. It grew rapidly when its neighboring city, Rhages, was destroyed by Mongolian raiders. Many people fled to Tehran.In the seventeenth century Tehran became home to the rulers of the Safavid Dynasty. This is the period when the wall around the city was first constructed. Tehran became the capital of Iran in 1795 and amazingly fast growth followed over the next two hundred years.The recent history of Tehran saw construction of apartment complexes and wide avenues in place of the old Persian gardens, to the detriment of the city's cultural history.The city at present is laid out in two general parts. Northern Tehran is more cosmopolitan and expensive, southern Tehran is cheaper and gets the name "downtown."Getting ThereMehrabad airport is the original one which is currently in the process of being replaced by Imam Khomeini International Airport. The new one is farther away from the city but it now receives all the international traffic, so allow an extra hour to get there or back.TransportationTehran driving can be a wild free-for-all like some South American cities, so get ready for shared taxis, confusing bus routes and a brand new shiny metro system to make it all better. To be fair, there is a great highway system here.The metro has four lines, tickets cost 2000IR, and they have segregated cars. The women-only carriages are the last two at the end, FYI.Taxis come in two flavors, shared and private. Private taxis are more expensive but easier to manage for the visiting traveler. Tehran has a mean rush hour starting at seven AM and lasting until 8PM in its evening version. Solution? Motorcycle taxis! They cut through the traffic and any spare nerves you might have left.People and CultureMore than sixty percent of Tehranis were born outside of the city, making it as ethnically and linguistically diverse as the country itself. Tehran is the most secular and liberal city in Iran and as such it attracts students from all over the country.Things to do, RecommendationsTake the metro to the Tehran Bazaar at the stop "Panzda Gordad". There you can find anything and everything -- shoes, clothes, food, gold, machines and more. Just for the sight of it alone you should take a trip there.If you like being outside, go to Darband and drink tea in a traditional setting. Tehranis love a good picnic and there are plenty of parks to enjoy. Try Mellat park on a friday (fridays are public holidays), or maybe Park Daneshjou, Saaii or Jamshidieh.Remember to go upstairs and have a look around, always always always! The Azadi Tower should fit the bill; it was constructed to commemorate the 2500th anniversary of the Persian Empire.Tehran is also full of museums such as:the Contemporary Art Museumthe Abghine Musuem (glass works)the 19th century Golestan Royal Palace museumthe museum of carpets (!!!)Reza Abbasi Museum of extraordinary miniaturesand most stunning of all,the Crown Jewels Museum which holds the largest pink diamond in the world and many other jaw-dropping jewels.Text by Steve Smith.


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